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This project is a research-led practice centred on photography and moving image, examining how fear extends from embodied experience into spatial structures, and how it is subsequently transformed into a mode of existential perception. The research originates from my personal experience of anxiety arising when bodily boundaries feel ruptured and systems of order collapse. When this sensation shifted from the body to architecture, I began to recognise that spaces, too, can produce fear once their functions, beliefs, or organising logics disintegrate. The project focuses on abandoned churches and schools—buildings that once embodied faith and education—which, after becoming obsolete, exist as suspended “spatial bodies.” Through still photography, low-resolution moving image, and spatial installation, I seek to detach fear from narrative and symbolic representation, allowing it instead to be encountered through perception, atmosphere, and bodily presence.

Archival inkjet prints, still photography, single-channel digital video, installation with found iron plates and abandoned desks/chairs. Dimensions variable (site-specific installation)

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